Stake your claim

The year 1996 was one of my most prolific, in terms of both songwriting and general creativity. The band I had co-founded the year before would soon add a drummer and move from a sparsely albeit inventively instrumentalized trio into a full-fledged rock ensemble. Desperate to have more songs on which I would sing, and thus not have to play any instruments, I spent the summer of ’96 in a songwriting tizzy.

My general style at the time was to think of a cool title first, and then come up with lyrics and a melody later. The lyrics would usually be strings of non sequiturs linked together only by an imagined relationship to the title of the song. The melody would often come out naturally as I was writing the words down. I was able to write many songs this way. I only had trouble finishing songs when I tried to make them about an actual subject.

(Nowadays when I write songs, which is rare, I usually think of a melody or riff first, then try to write words around it, and then spend a long time thinking about what it should be called. This is probably a more normal method of songwriting.)

I wrote Mr. Claim-the-Credit that summer. I was sitting in my car in the parking lot of WHIO-TV, where I had an internship. I had just returned from my lunch break, but still had some time left, and I didn’t want to go back inside until I absolutely had to. It was that kind of internship. And as I sat there in my turned-off car in the summer heat, the song appeared fully-formed in my head.

Sometime after that, I recorded this demo. My brother Tim is on bass, trumpet, and baritone; Chuck Hague on guitar; Brian McKinney on drums. The arrangement you hear is their collective interpretation of my melody.

Ultimately, my band decided not to add it to our playlist. I seem to remember an outright rejection of any song whose title started with “Mister”. Unwilling to compromise my title (and thus my artistic principles also), I let it go.

Mr. Claim-the-Credit [MP3, 3.8MB]

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Calling all catharses

My U-Pass expires today. A U-Pass is a fare card for the CTA, Chicago’s train system. It is a special fare card that never runs out of money. It was given to me by people at my school so that I would ride the train for educational purposes. They gave it to me at the beginning of the semester. It expires at the end of the semester. It expires today.

Oops, I forgot to learn!

Let’s see here. Got page of comic art published in filthy anthology: check. Coped with sudden and terrible breakup: check. Found new apartment: check. Moved to new apartment: check. Watched every episode of “Lost”: check. Spent enough time reading about “Lost” on the web that I could have watched every episode of “Lost” three times over: check. Likewise, but less so, with “Desperate Housewives”, “Arrested Development”, “The Amazing Race 6″, “The O.C.”, and “Survivor: Vanuatu”: check. Got very sick because I am unable to take care of myself properly: check. Read Neal Stephenson’s Cryptonomicon, mostly on the train to and from school: check. Started playing Heroclix with friends: check. Dealt with minor addiction to buying Heroclix figurines on eBay: check. Designed a holiday card for pay: check. Attended classes with an acceptable or better frequency: check. Struggled with firmly embedded procrastination habits: check. Completed a semester’s worth of assignments to acceptable or better standards of punctuality and quality: a hefty check.

Nope! No learning! After that list, I’m hardly surprised. It was a pretty full semester.

I know that I wrote some cool stuff down in a notebook at some point… something about a business framework? Although if it were really all that great, people would be dissecting it on message boards for my enrichment.

I have one more U-Pass left, though. They’re giving it to me in January and they take it away in May. It could be my last hope. For learning.

Spatial relationships

“Stop looking at me. I can’t work when you’re looking at me.”

“How do you know I’m looking at you?”

“What?”

“I said, how do you know I’m looking at you?”

“Because I looked up and saw you looking at me.”

“As I suspected. Could it not be the case, then, that your inability to do work is related not to my looking at you, but rather you looking at me?”

“Stop looking at me.”

A worthwhile pursuit

“I think it’s a worthwhile pursuit,” says Jennifer, leaning against the refrigerator. “I just wish more people cared about it.”

“You’re so right,” agrees the girl whose name Rich does not know. He nods his head in general agreement, but he has lost track of what they are talking about. They continue their conversation, somehow managing to understand each other despite the cacophony of the party, which is full of other people having other conversations and presumably also performing the remarkable cognitive feat of separating signal from less-relevant signal.

Rich is incapable of this, and so he stands in the kitchen staring in the general direction of the two girls as they continue to chat. He does not know why he came to the party. Well, he does know. But it was not a rational reason and there’s no reason for him to think about it.

Rich does not do well at parties. He turns his body ninety degrees and finds himself in another conversation altogether with two co-workers whom he barely knows. From the words he can pick out, it seems like they are talking about some kind of athletic equipment. Rich has nothing to add to this topic, but at least he knows what it is.

Boredom sets in quickly, though. He chances another ninety-degree turn and finds himself opposite the host of the party and several others preparing and enjoying shots of tequila. Rich looks down at his beer cup, which has been empty for at least the last half hour because the keg, out on the porch and surrounded by throngs of people, is effectively inaccessible. He considers doing a shot but decides against it. Sometimes his people drink to loosen up a little bit, but Rich embarrasses himself when he gets drunk at parties. He recalls the mooning episode from July 2002. This is the kind of crowd that would be surprised and delighted by such a thing, but it would be coming out of nowhere. The folks at Rich’s workplace don’t know him in that context and he doesn’t want to subject them to that kind of contrast.

He rouses himself from self-reflection to find that the kitchen has emptied out somewhat. He has come to understand that parties simply flow naturally from room to room and that he should not associate this migration with his own presence in either location. Jennifer and the other girl are still deeply engrossed in their conversation, their body language making them seem as comfortable together as best friends, although Rich is pretty sure they just met. Is it alcohol or natural chemistry? Probably both. Jennifer has knocked back several beers over the course of the evening, and Other Girl has been chugging red wine from a jelly jar. They don’t seem drunk, though, just friendly and talkative. Rich has no idea what that is like.

He approaches them, and Jennifer acknowledges him with a warm smile, the type of smile you can see in the eyes as well as in the mouth. It’s a type of smile Jennifer is particularly good at. Rich’s thoughts begin to creep back into irrational territory and he struggles to remain present in the moment. The girls are now talking about neighborhoods, which is a conversation Rich can relate to: he does live in a neighborhood, after all. In fact, he has lived in several.

Other Girl is wearing a top that goes off the shoulder. Her round, shiny brown shoulder emerges from the fabric and captures Rich’s attention. He would very much like to approach that shoulder and bite it as he would an apple. Not a complete bite, just the beginning of a bite where one’s teeth slowly press into the skin. Rich believes that if this partial bite is delivered skillfully, it could be a very pleasant experience for all parties involved.

He realizes what he is thinking about, and starts to feel guilty. Then he feels indignant about having felt guilty, and then he starts to feel bewilderment at his unpredictable non-stop thought parade. Is it the shoulder, or is it the girl? Is it a shoulder thing?

“So what do you do?” asks Other Girl. Rich slowly comes to realize that the question is directed at him.

“Well, I–”

“He works in my department. We work together sometimes. This guy,” Jennifer yells, “is awesome!”

“Yeah?” Other Girl asks.

“Totally!” replies Jennifer, giving Rich a smack on the behind. Rich’s brain short-circuits briefly as it catches up to the action and realizes it no longer needs to supply an answer to Other Girl’s question.

“It is true,” Rich responds in a confessional tone. “I am awesome.”